ほんやくのしゅうさく The study of translation →
ほんやくのしゅうさく The study of translation
27th,Nov,2010 at “NODE closing party” in Art labo Aichi
45分過ぎ〜 From past [ 45 minutes ]
ほんやくのしゅうさく The study of translation
27th,Nov,2010 at “NODE closing party” in Art labo Aichi
45分過ぎ〜 From past [ 45 minutes ]
Now, You can listen
session :
IEMA in TWS 2010 Production Course Participants
Members:
Tomomi Shimizu / Dance, Voice, Recorder
Toshimizu Nakagawa / self-made electronics
Ten Goto / self-made electronics, Voice
Nobutaka Yoshizawa / Koto
Masahiro Takeda / Clarinet
Yayoi Tanaka / Kalimba
Circulation
The performance with self-made electronics.
Simply electronic oscillator make square wave sounds.
The sound into the microphone make switched on the light and electronic oscillator. So this is Closed circuit.
And I disturb the circuit by paper.
Sweeping cleaning music
ten goto and Bamboo broom Band
at exhibition “artfull action”
Mar, 5th, 2010
sound vehicle
I make bicycle to instulments.
Bicycle is to move, so that instulment is moving.
It use simple electronic osillator.
Sound by chairs
I made 1 bench from 2 chairs. I amplify the sound of breaking chairs and making bench.
I aim to replace watching with listening.
二脚の椅子を壊し、二人掛けのベンチをつくるサウンドパフォーマンスを行いました。ものを
つくる過程で生じる音を目的とする事で観る事、聴く事、見る事のすり替えを目論みました。
“for listening to the sky sound”
The work for listening to the sky sound. I will
make a round shaped wall faced to upward.
It must amplify the sound in space of the
direction of the wall. People, inside the wall,
must be able to listen the sky sound.
The wall is about radius of 2 meters, and 1 or 2
person can come in the wall. There is heard
inside the wall sound of airplane, song of birds,
and something.
In japan, people believe that the
dead are in the sky. So it could be
possible to listen them voice. And
the wall shoot the spectator’s voice
at the sky.
Accordingly we can try to talk with
the dead.
Exit
December 13th, 2008,
Tama Art University Kaminoge, Tokyo
Performance
This is two players performance. One player opens the door at the entrance of the hall at
arbitrary intervals and it closes. Another player saying that “Door and door” outside of entrance.
it follow to the rhythm as another player’s sound of the door.
This work is performed based on the score of the event of Fluxus.
The score is ‘WORD EVENT’ of George Brecht in 1961. The score is published in here.
WORD EVENT
Exit.
I aim to draw out senses of various shape from a simple concept of door.
Takashi (ten) Goto works 2006-2009